Posts Tagged ‘Kongresshalle’

Berlin’s International Congress Center

Monday, September 16th, 2019

 

Berlin’s International Congress Center (Internationales Congress Centrum Berlin) opened in 1979 and closed in 2014. From the outside it looks futuristic with its aluminum facade in the high-tech style of the 1970s. Inside it reveals lots of retro charm. With a length of 1,050 feet long, a width of 262 feet wide and a height of 131 feet, the International Congress Center can accommodate slightly more than 20,000 guests. A bridge links the “ICC” to the exhibition grounds across the street, the Messe Berlin. For 25 years, the International Congress Center made Berlin the No. 1 congress city in Germany and maybe even one of the top congress cities in the world.

Berlin's International Congress Center (ICC), opened in 1979 and closed in 2014. When and if it reopens agains remains uncertain. Photo © J. Elke Ertle, 2019. www.walled-in-berlin.com

Berlin’s International Congress Center (ICC), opened in 1979 and closed in 2014. When and if it reopens again remains uncertain. Photo © J. Elke Ertle, 2019. www.walled-in-berlin.com

Why West Berlin constructed an International Congress Center

At the end of the 1960s, Berlin was a divided city with West Berlin a capitalist island surrounded by a Communist sea. When experts predicted a steady increase in the number of conventions and trade shows held around the world, West Berlin jumped on the band wagon. It wanted to boost its economy, and congress centers can be a profitable source of income. Until then, West Berlin had hosted such events in its 1957 Congress Hall (Kongresshalle), which barely seated 1,200 participants. With a new and much larger International Congress Center, West Berlin hoped to redefine itself as a congress destination. Besides, East Berlin had built the Palace of the Republic (Palast der Republik) only three years earlier, and the West wanted to keep up. The ICC became the most expensive construction project in West Berlin since World War II, costing almost one billion marks.

Design Competition for the International Congress Center

In 1966, West Berlin held a design competition for the new congress center. Ralf Schueler and Ursulina Schueler-Witte, a young and relatively unknown husband-and-wife architect team, won the contest. Construction began in 1975. It was six years after the first moon landing, and the space-age may have influenced the design. The ultramodern building soon became known in West Berlin as the “spaceship.” Nonetheless, the design was a complete success. It received many awards. At its grand opening in 1979, German President Walter Scheel predicted that the ICC would still stand when the Pyramid of Cheops had decayed.

Asbestos-contaminated ICC and Palace of the Republic

Mr. Scheel may have been correct in assuming that the ICC’s concrete design might outlast the Pyramid of Cheops, but he was unaware of the dangers of asbestos. In 2014, the International Congress Center closed for asbestos removal, but the costs turned out to be prohibitive. The Palace of theRepublic in East Berlin, which had opened in 1976, was equally contaminated. While the latter was demolished in 2006 to give way to the construction of the Stadtschloss Berlin (Berlin City Place), the International Congress Center didn’t close to conventions until 2014. Aside from housing refugees between 2015 and 2017, it continues to remain closed while officials argue over who will foot the bill for asbestos removal and needed upgrades and how the center might be used in the future.

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.

 

Haus der Kulturen der Welt showcases culture

Monday, June 11th, 2018

Berlin’s Haus der Kulturen der Welt (House of the Cultures of the World) is one of the city’s modern architectural landmarks. The building is located in the central district of Tiergarten and within walking distance of the Brandenburg Gate, the Reichstag and the Chancellery. Since it is located beside the River Spree, it has its own pier so that visitors can also arrive by boat. The most striking feature of the Haus der Kulturen der Welt is its signature curved roof.

 

Haus der Kulturen der Welt (House of the Cultures of the World) in Berlin-Tiergarten. Photo © J Elke Ertle, 2017. www.walled-in-berlin.com

Haus der Kulturen der Welt (House of the Cultures of the World) in Berlin-Tiergarten. Photo © J Elke Ertle, 2017. www.walled-in-berlin.com

 

From Congress Hall to Haus der Kulturen der Welt

The landmark building was erected for the 1957 International Architecture Exhibition in Berlin (Internationale Bauausstellung) and initially named Kongresshalle (Congress Hall). This gift from the United States to Germany was designed by U.S. architect Hugh Stubbins, Jr. as a symbol of friendship between the United States and Germany and as a forum for free expression.  Stubbins likened the curved roof to symbolic wings and the promise that there would be “no restrictions on the freedom of intellectual work”. Because of its gravity-defying curved roof, Berliners soon dubbed the building “pregnant oyster.”

In 1980, part of the Congress Hall’s signature roof collapsed, killing one and injuring numerous others. The building reopened in 1987, reconstructed with additional supports and just in time for the 750-year anniversary of the founding of the city of Berlin. Two years later, the Kongresshalle was renamed Haus der Kulturen der Welt and proffered a significantly different venue.

Haus der Kulturen der Welt furthers international contemporary art

Since its reopening, the Haus der Kulturen der Welt has showcased culture from all over the world, with special focus on non-European cultures and societies. It brings together visual arts, music, author readings, theater, dance, film and digital media and creates themed exhibitions, events and international conferences. In cooperation with musicians, media professionals and artists, the Haus der Kulturen der Welt offers workshops in radio, documentary film, photography, music and drawing throughout the year. The Transmediale, a media art festival, takes place annually and the Berlin Documentary Forum takes place every two years.

Butterfly Sculpture in front of Haus der Kulturen der Welt

A massive polished bronze sculpture stands in the middle of a large reflecting pool in front of building. British artist Henry Moore created the 8-ton art piece and entitled it, “Large Divided Oval: Butterfly”. The sculpture was installed in 1987 when the hall reopened.

Carillon beside the Haus der Kulturen der Welt

When the original Congress Hall was restored for Berlin’s 750-year anniversary, a 138-foot bell tower was constructed beside it. The granite carillon was a gift from the Daimler-Benz company. With 68 bells, it is the fourth-largest carillon in the world. Every Sunday at 3 p.m. during the summer and on many public holidays, Berlin carillonneur, Jeffrey Bossin, plays live concerts with his fists and feet on a baton-and-pedal keyboard. Concerts are free to the public.

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.