Saving – ingrained in German culture

June 25th, 2018

Germans are saving twice as much of their disposable income as their American counterparts. In 2015, German households set aside 10% of their disposable income while Americans saved only 5.5%. Germans tend to save more, purchase less on credit and take out fewer home loans than their American cousins. While Germans enjoy free healthcare and college tuition, Americans fund these services from their own pockets. Wouldn’t the added expense encourage Americans to put more funds aside for healthcare and college tuition? The opposite is true. Why?

Birth of the German saving culture

Germans have a long history of saving. The worlds’ first savings bank was founded in Hamburg in 1778. https://www.ft.com/content/c8772236-2b93-11e8-a34a-7e7563b0b0f4 Its purpose was to provide an avenue for the urban poor to save a few extra pennies for their children’s education and for rainy days. But the idea took hold far beyond the urban poor. Suddenly, savings accounts mushroomed all over Germany. By 1875, at least a quarter of the population had savings accounts. Schools began teaching the concept of saving to children and introduced special school savings banks. With the German unification of 1871 saving deposits began to be seen as a service to the nation because they allowed local banks to make them available to municipalities for the construction of canals, roads, electric works, gas works, schools, theaters and public parks.

Germans are saving twice as much of their disposable income as their American counterparts. www.walled-in-berlin.com

Germans are saving twice as much of their disposable income as their American counterparts. www.walled-in-berlin.com

 

During World War I, the German government encouraged people to invest their savings in war bonds. But with the demise of the Weimar Republic  people saw their savings deposits erode and finally be wiped out entirely by the hyperinflation of 1923. During the Nazi period that followed, Germans began to save all over again. Those savings, too, were wiped out by inflation, the currency reform and the introduction of the Deutsche Mark in the aftermath of World War II. Soon afterwards however, people started saving again because, apparently, the idea of savingwas deeply ingrained in the German culture by now. It is a habit that starts in childhood. When I was a little girl growing up in Berlin, I too, had a savings account in my name at our local bank. Whenever I had accumulated the miniscule sum of One Mark after rigorous penny-pinching, I deposited that money in my savings account. I was proud to watch my savings account grow. As far as I was knew, money belonged in the bank.

Saving Culture in German government

Financial discipline isn’t just considered a virtue on a personal level. One of the German government’s goal each year is to present a debt-free budget. It is referred to as “Black Zero” (Schwarze Null), which means being in the black. German finance ministers earn the support of voters not by promising tax cuts and spending increases, but by proving their commitment to fiscal discipline. In the United States, on the other hand, savings are equated to a lack of consumption and poor demand. Most of the US economy is driven by credit and debt. Heavy marketing also encourages Americans to spend rather than to save. While Germans consider saving the right thing to do, Americans consider taking on debt the right thing to do.

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.

 

Open your mind like an umbrella

June 21st, 2018

The mind is like an umbrella. It is most useful when open.

— Walter Gropius

The mind is like an umbrella. It is most useful when open. www.walled-in-berlin.com

The mind is like an umbrella. It is most useful when open. www.walled-in-berlin.com

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.

 

Berlin Philharmonie – outstanding acoustics

June 18th, 2018


When it first opened in 1963, the Berlin Philharmonie was located on the very edge of West Berlin, only a stone’s throw from the Berlin Wall. The building, with its tent-like shape and distinctive yellow exterior, ignited much controversy at the time. Over the years, and now part of the urban center of the reunified city, the Berlin Philharmonie has served as a model for concert halls all over the world. It consists of two venues, the Grand Hall (Grosser Saal) and the Chamber Music Hall (Kammermusiksaal). The Grand Hall has 2,440 seats with the orchestral platform in its center and terraced seating surrounding it. The smaller Chamber Music Hall has 1,180 seats.

Berlin Philharmonie, Photo © J. Elke Ertle, 2017. www.walled-in-berlin.com

Berlin Philharmonie, Photo © J. Elke Ertle, 2017. www.walled-in-berlin.com

Designer enlists services of acoustics expert

The German architect, Professor Hans Scharoun, designed the Berlin Symphonie and enlisted the services of Professor Lothar Cremer. An expert in acoustics, Cremer was the head of the Institute for Technical Acoustics at Berlin’s Technical University at the time. Together, the two men ventured into hitherto uncharted territory. Before the Berlin Philharmonie first opened with a performance of Beethoven’s Ninth Symphony in 1963, experts had fired a series of pistol shots into the auditorium to fine-tune the acoustics. Aside from the new concept of placing the orchestral platform in the center and surrounding it with with vineyard-style seating, the musicians still had to be able to hear each other, and the audience had to be able to hear the musicians. To prevent the sound from being dispersed in only one direction, Cramer decided to suspend reflective surfaces “clouds” above the orchestral platform. The tent-like ceiling of the auditorium also helps to diffuse the sound.

History of the Berlin Philharmonie

The predecessor of the Philharmonie was founded in 1882 by 54 musicians. The group called itself the Fruehere Bilsesche Kapelle (Former Bilse’s Band). It performed in a former ice rink until British bombers destroyed it in 1944. Thereafter, until near the end of the war, the orchestra played in the State Opera and when it, too, was destroyed in 1945, the Berlin Philharmonie moved into the Titania-Palast, an old movie theater. Despite several changes in leadership, the orchestra performed throughout World War II.

In 1952, a permanent location for the Berlin Philharmonie became the subject of much discussion.  A tug of war ensued about whether to expand, rebuild or construct a new building. After Professor Scharoun’s design was awarded first price in an architectural competition in 1956, the current site was chosen. Herbert von Karajan, led the orchestra from 1955 until April 1989, only months before his death.

How the Berlin Symphonie chooses its principal conductor

Since the fall of the Berlin Wall in 1989, the orchestra’s 128 musicians jointly elect their principal conductor in a secret and democratic vote. Sir Simon Rattle is the present conductor. The new conductor designate to take over in August 2019 is Kirill Petrenko.

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.

 

Single biggest communication problem

June 14th, 2018

The single biggest problem in communication is the illusion that it has taken place.

–George Bernard Shaw

 

The single biggest problem in communication is the illusion that it has taken place. www.walled-in-berlin.com

The single biggest problem in communication is the illusion that it has taken place. www.walled-in-berlin.com

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.

 

Haus der Kulturen der Welt showcases culture

June 11th, 2018

Berlin’s Haus der Kulturen der Welt (House of the Cultures of the World) is one of the city’s modern architectural landmarks. The building is located in the central district of Tiergarten and within walking distance of the Brandenburg Gate, the Reichstag and the Chancellery. Since it is located beside the River Spree, it has its own pier so that visitors can also arrive by boat. The most striking feature of the Haus der Kulturen der Welt is its signature curved roof.

 

Haus der Kulturen der Welt (House of the Cultures of the World) in Berlin-Tiergarten. Photo © J Elke Ertle, 2017. www.walled-in-berlin.com

Haus der Kulturen der Welt (House of the Cultures of the World) in Berlin-Tiergarten. Photo © J Elke Ertle, 2017. www.walled-in-berlin.com

 

From Congress Hall to Haus der Kulturen der Welt

The landmark building was erected for the 1957 International Architecture Exhibition in Berlin (Internationale Bauausstellung) and initially named Kongresshalle (Congress Hall). This gift from the United States to Germany was designed by U.S. architect Hugh Stubbins, Jr. as a symbol of friendship between the United States and Germany and as a forum for free expression.  Stubbins likened the curved roof to symbolic wings and the promise that there would be “no restrictions on the freedom of intellectual work”. Because of its gravity-defying curved roof, Berliners soon dubbed the building “pregnant oyster.”

In 1980, part of the Congress Hall’s signature roof collapsed, killing one and injuring numerous others. The building reopened in 1987, reconstructed with additional supports and just in time for the 750-year anniversary of the founding of the city of Berlin. Two years later, the Kongresshalle was renamed Haus der Kulturen der Welt and proffered a significantly different venue.

Haus der Kulturen der Welt furthers international contemporary art

Since its reopening, the Haus der Kulturen der Welt has showcased culture from all over the world, with special focus on non-European cultures and societies. It brings together visual arts, music, author readings, theater, dance, film and digital media and creates themed exhibitions, events and international conferences. In cooperation with musicians, media professionals and artists, the Haus der Kulturen der Welt offers workshops in radio, documentary film, photography, music and drawing throughout the year. The Transmediale, a media art festival, takes place annually and the Berlin Documentary Forum takes place every two years.

Butterfly Sculpture in front of Haus der Kulturen der Welt

A massive polished bronze sculpture stands in the middle of a large reflecting pool in front of building. British artist Henry Moore created the 8-ton art piece and entitled it, “Large Divided Oval: Butterfly”. The sculpture was installed in 1987 when the hall reopened.

Carillon beside the Haus der Kulturen der Welt

When the original Congress Hall was restored for Berlin’s 750-year anniversary, a 138-foot bell tower was constructed beside it. The granite carillon was a gift from the Daimler-Benz company. With 68 bells, it is the fourth-largest carillon in the world. Every Sunday at 3 p.m. during the summer and on many public holidays, Berlin carillonneur, Jeffrey Bossin, plays live concerts with his fists and feet on a baton-and-pedal keyboard. Concerts are free to the public.

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.

Fake friends act like shadows

June 7th, 2018

Fake friends behave like shadows. They stick around during your brightest moments and disappear during your darkest hours. True friends are like stars. You don’t always see them, but they are always there.

— Habeeb Akande

Fake friends behave like shadows. Photo © J. Elke Ertle, 2018. www.walled-in-berlin.com

Fake friends behave like shadows. Photo © J. Elke Ertle, 2018. www.walled-in-berlin.com

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.

 

RIAS – 47 Years “Voice of the Free World”

June 4th, 2018

I grew up in Berlin listening to RIAS, “Voice of the Free World.” Immediately following WWII, there was no television. We got our information from the radio and newspapers. During the post-war occupation, Great Britain created the broadcasting station NWDR (Nordwestdeutscher Rundfunk – Northwest German Radio) for the British Zones of Germany and Berlin; the United States gave rise to RIAS (Rundfunk im Amerikanischen Sektor – Radio in the American Sector) for the American Zones of Germany and Berlin. For nearly half a century, RIAS broadcast news, culture, and entertainment programs to the German people.

RIAS History

In 1946, the US military created DIAS (Drahtfunk im Amerikanischen Sektor –  Wired Radio Broadcasting in the American Sector). Six months later, DIAS morphed into RIAS reporting via medium wave transmitters. In 1948, Great Britain transferred control of NWDR to West German operators while RIAS remained under control of the US military. Eventually, the station staff was almost entirely German, supervised by a small American team.

It was a radio like this that brought us RIAS - The Voice of the Free World - when I was a child. www.walled-in-berlin.com

It was a radio like this that brought us RIAS – The Voice of the Free World – when I was a child. www.walled-in-berlin.com

The purpose of RIAS-radio and television

Initially, the purpose of RIAS-radio was to provide the West German people with news and political commentary. The station provided live reporting during key Cold War events, such as the 1948/1949 Berlin Blockade and Airlift, the workers’ riots in East Germany in 1953, Soviet Premier Nikita Khrushchev’s 1958 ultimatum calling for the withdrawal of Western forces from Berlin, and US President John F. Kennedy’s visit in Berlin in 1963. Aside from airing in the West, RIAS-radio also broadcast into East Germany although listening to western stations was strongly discouraged (if not forbidden) in the Soviet-controlled East Germany. Nevertheless, the station had a huge audience in East Germany and was the most popular foreign radio service during that time.

In 1988, RIAS-TV went on the air, only months before the fall of the Berlin Wall in November 1989. Prior to 1988, no Western television broadcasts had been specifically targeted at East Germany, although many of the domestic West German TV networks could be received throughout most of the East. RIAS-TV had come to life in time to broadcast the fall of the wall to the East German people. In 1992, following re-unification, Deutsche Welle (Germany’s International broadcaster) inherited the RIAS-TV broadcast facilities, and in 1994, RIAS-radio morphed into the public radio station Deutschlandradio.

Popular RIAS radio Programs

Radio programs always opened with, “Hier ist RIAS Berlin, die Stimme der Freien Welt– this is RIAS Berlin, the voice of the free world.” As a child, my favorite program was “Onkel Tobias vom RIAS,” which was aired from 1947 to 1972. Every Sunday at 10:00 am, Fritz Genschow, author of many children’s movies and plays, put on a radio show together with a group of young radio actors. Years later, I enjoyed listening to programs, like “Der Insulaner” (the islander), a political spoof mocking communism, the RIAS-Kammerchor, a professional chamber choir, and the RIAS-Symphonie-Orchester, which still exists today.

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.

 

Majority thinking spells conformity

May 31st, 2018

 

Whenever you find yourself on the side of the majority, it is time to pause and reflect.

— Mark Twain

Are you an independent thinker?

Whenever you find yourself on the side of the majority, it is time to pause and reflect. ( Cleistocactus strausii - silver torch) - Photo © J. Elke Ertle, 2018. www.walled-in-berlin.com

Whenever you find yourself on the side of the majority, it is time to pause and reflect. (Cleistocactus strausii – silver torch) – Photo © J. Elke Ertle, 2018. www.walled-in-berlin.com

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.

 

 

Gutenberg revolutionized book reading

May 28th, 2018

In 1439, Johannes Gutenberg, born Johannes Gensfleisch, introduced movable metal type printing to Europe. His printing press became key to moving the world out of the Medieval era and into the Early Modern period. In 1450, Gutenberg tested his invention by printing a Latin book on speech-making. When satisfied with the results, he embarked on printing the now famous Gutenberg Bibles.

Johannes Gutenberg’s printing press set off a printing revolution that boosted literacy by breaking the elite’s monopoly on education. Prior to his invention, the majority of books were written and copied by hand or were printed using carved wooden blocks that were pressed onto paper. Because these processes were labor-intensive, books were very expensive, and only the rich could afford them. Other print machine inventors, mainly from China and Korea, had previously worked on similar apparatuses, but Gutenberg’s printing press had a worldwide impact.

Johannes Gutenberg’s life

The year and place of Johannes Gutenberg’s birth are not precisely known. He is believed to have been born between the years of 1394 and 1404 in Mainz, Germany. Trained as a goldsmith, gem gutter and metallurgist, he started experimenting with printing by 1438. Between 1450 and 1455, he completed his best-known work, the Forty-Two-Line Bibles. Although Gutenberg was unable to financially capitalize on his invention, his printing technology spread quickly across Europe and revolutionized the creation of affordable books.He died in Mainz in 1468.

Martin Luther benefits from Gutenberg’s invention

The Protestant Reformation would not have been possible without the availability of Johann Gutenberg’s printing press. Martin Luther produced over 300,000 pamphlets during his lifetime. His 95 Theses were printed and circulated widely. Certificates of indulgences were among the first items Gutenberg printed.

The Gutenberg Forty-Two-Line Bibles

The Gutenberg Bibles were printed in Latin and considered the first substantial books printed in Europe.The printing process was done entirely by hand. Approximately 175 to 180 copies were printed, and it took between three to five years to complete the entire print run. 175-180 books seem like a small number today, but at the time there were probably no more than 30,000 books in existence in all of Europe.

Gutenberg Bible on exhibit at the Henry E. Huntington Library in San Marino, California. This is one of the 48 surviving Bibles. It is complete and printed on vellum. Photo © J. Elke Ertle, 2018. www.walled-in-berlin.com

Gutenberg Bible on exhibit at the Henry E. Huntington Library in San Marino, California. This is one of the 48 surviving Bibles. It is complete and printed on vellum. Photo © J. Elke Ertle, 2018. www.walled-in-berlin.com

Each Gutenberg Bible weighs about 14 lbs. Most of them contain 1,286 pages and were bound in two volumes. Almost no two are exactly alike. The Gutenberg Bible is also known as the Forty-Two Line Bible because the pages are printed with two columns of 42 lines each.

Only 48 copies of the original 175 to 180 have survived, and only twelve Gutenberg Bibles were printed on prepared animal skin, called vellum. It took about 170 calfskins to produce just one Bible from vellum. The remainder were printed on rag cotton paper. The average price for one Bible is believed to have been 30 Florins, which represented three years wages for a clerk at the time.

Gutenberg Bibles still in existence today

Of the original run of 175-180 Bibles, only 48 still exist today in libraries, museum and university collections. Only 6 complete Gutenberg Bibles printed on the more expensive vellum still exist. They are located in Paris, Leipzig, Goettingen, London, Washington, DC, and in the Henry E. Huntington Library in San Marino, California. I was privileged to set eyes on one of them at the Huntington Library.

As an interesting aside, two of the remaining 48 Gutenberg Bibles were taken from Germany by the Red Army at the end of World War II as war booty. They were discovered in the 1980s in Moscow libraries and have not been returned to Germany to this day.

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.

 

Natural Beauty masterly revealed

May 24th, 2018

 

Maybe she is not the most beautiful girl in the world, but she’s real without even trying, and that is natural beauty.

— Anonymous

This silk floss tree stands tall and proud in the Huntington Gardens in San Marino, California. “She” looks graceful, shapely and a bit shy, wouldn’t you say?

 

 

Maybe she is not the most beautiful girl in the world, but she’s real without even trying. And that is natural beauty. Photo © J. Elke Ertle, 2018. www.walled-in-berlin.com

Maybe she is not the most beautiful girl in the world, but she’s real without even trying. And that is natural beauty. Photo © J. Elke Ertle, 2018. www.walled-in-berlin.com

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on the home page of http://www.walled-in-berlin.comWalled-In is my story of growing up in Berlin during the Cold War.