Posts Tagged ‘Wolfgang Amadeus Mozart’

Where have all the German-Americans gone?

Monday, April 2nd, 2018

According to census information, almost 50 million German-Americans lived in the United States in 2010. That number represents 16% of the total U.S. population. Not surprisingly therefore, German-Americans are the largest ethnic group living in the United States. http://www.walled-in-berlin.com/j-elke-ertle/hyphenated-americans-german-roots/ At the turn of the last century, New York ranked third in cities being home to the world’s largest German-speaking populations, trailed only by Berlin and Vienna. Entire communities from Wisconsin to Texas consisted almost exclusively of German immigrants and their children. These immigrants founded churches, they established German language newspapers and cultural societies, and they entered politics. But unlike Spanish-Americans, very few German-Americans still master the German language today, and few schools list German as part of their curriculum. Only 1.7% of all German-Americans over the age of 5 even speak the language. Why is that?

Emigrant Memorial (Auswandererdenkmal), Bremerhaven, Germany. The father of these four soon to be German-Americans looks toward the New World. The mother looks back as she leaves the Old Country. Photo © J. Elke Ertle, 2013, www.walled-in-berlin.com

Emigrant Memorial (Auswandererdenkmal), Bremerhaven, Germany. The father of these four soon to be German-Americans looks toward the New World. The mother looks back as she leaves the Old Country. Photo © J. Elke Ertle, 2013, www.walled-in-berlin.com

Word War I changed everything for German-Americans

The large number of German-Americans living in the United States lobbied against intervening on the Allies’ side and helped to keep the United States out of World War I for a long time. When the United States finally did enter the war in 1917, German-Americans came under severe, and often violent, scrutiny. Their loyalty was questioned. People with German roots were indiscriminately accused of being spies and double agents. When the Zimmermann telegram was unearthed, a crackpot German plan that proposed Mexico invade the United States, extreme anti-German sentiments took hold and caused lasting damage to German culture in the United States. http://www.walled-in-berlin.com/j-elke-ertle/zimmermann-telegram-wwi-saga-intrigue/

During the 19 month that followed, the German language, German books, newspapers, music, churches, communities, and even German-Americans themselves came under violent attack. Hundreds of German-Americans were interned. More than 30 were killed by vigilantes and anti-German mobs. Hundreds more were beaten or tarred and feathered. The works of Goethe http://www.walled-in-berlin.com/j-elke-ertle/goethe-writes-faust-a-closet-drama/, Schiller http://www.walled-in-berlin.com/j-elke-ertle/friedrich-schiller-champion-of-freedom/, Bach, Mozart and Beethoven http://www.walled-in-berlin.com/j-elke-ertle/ludwig-van-beethoven-lonely-giant/either perished in the flames of public book-burning ceremonies or were relegated to back shelves or basements. Some of the burnings were performed by mobs, others by administrators or officials. For a time, these ceremonies were all the rage in the US, and many German-Americans hid their German roots or changed their names. For book-burning ceremonies in Germany, see http://www.walled-in-berlin.com/j-elke-ertle/empty-bookshelves-book-burning-memorial/

The Immigrants Memorial near Clinton Castle in Battery Park, New York. Clinton Castle served as a processing facility for newly arrived immigrants. Photo © J. Elke Ertle, 2017. www.walled-in-berlin.com

The Immigrants Memorial near Clinton Castle in Battery Park, New York. Clinton Castle served as a processing facility for newly arrived immigrants. Photo © J. Elke Ertle, 2017. www.walled-in-berlin.com

What was left of German-Americans after World War I

In 1910 there were 488 German-language newspapers in the United States with a combined circulation of 3,391,000. Ten years later, there were only 152 publications left with a circulation of 1,311,000. In contrast to the decline of German-language publications, the number of many other ethnic publications increased. Between 1910 and 1920, the number of Spanish-language publications increased from 21 with 74,000 readers to 33 with 256,000 readers. Yiddish publications increased from 8 with 321,000 readers to 23 with 808,000 readers. Italian newspapers went from 28 with 245,00 readers to 40 with 584,000 readers.

My own two cents on the vanishing German-Americans

I am a German-American and speak German, although rarely. The reason is not that I have forgotten how to speak German or that I want to hide my German background, but that few of my friends have German roots. I came to the United States much later than discussed in this article. I came as a young woman during the Cold War and intended to stay for only one year. Born just after WWII, I came from the then walled-in city of Berlin. It was just over twenty years since WWII had ended, and there still was plenty of anti-German sentiment in the United States. But I had expected that. Post-WWII anti-German attitudes were common throughout Europe. There was shame in being German, and we were taught that in German schools.

Born after World War II, my understanding of the war was limited to book knowledge. To avoid detailed discussions on a subject I knew little more about than the rest of the population, I sometimes pretended to be Norwegian. And since I had come to the United States for the purpose of improving my English, I preferred exposure to native English speakers and avoided Germans. Besides, having visited German American clubs occasionally, I found that I had little in common with its members. The non-German members seemed to be in it for the beer, the bratwurst and the polka, and the expatriates, decades my seniors, remembered a Germany that no longer existed. By the time I decided to make the United States my home, most of my friends were non-Germans.

The information presented in this article, aside from “my own two cents,” is based on Erik Kirschbaum’s 2015 book, “Burning Beethoven: The Eradication of German Culture in the United States During World War I.” Eric is a correspondent for the Reuters International News Agency and lives in Berlin, Germany.

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.

 

 

 

 

 

 

 

St. Thomas Boys Choir – 800 years

Monday, June 29th, 2015

The  world-famous St. Thomas Boys Choir of Leipzig, Germany, is first mentioned in 1254. But most likely, the choir is as old church itself. The St. Thomas Church came into being in 1212 when Margrave Dietrich of Meissen founded an Augustinian Monastery on this spot. Toward the end of the 15th century, the church’s Romanesque nave was razed and replaced by the late-Gothic “Hall-Church” that we see today. In fact, the architecture of today’s church has not changed much since the end of the 15th century.

St. Thomas Church, Leipzig Photo © J. Elke Ertle. www.walled-in-berlin.com

St. Thomas Church, Leipzig
Photo © J. Elke Ertle. www.walled-in-berlin.com

Choir Director Johann Sebastian Bach

From 1723 to 1750, the renowned composer and musician of the Baroque period, Johann Sebastian Bach, led the St. Thomas Boys Choir. At that time, the chorus consisted of 54 boys. Today, about 100 boys and young men sing in the choir. Their primary focus is the preservation of Bach’s choral music. For that reason, weekly Friday and Saturday motets have become a permanent musical tradition at St. Thomas. Bach Passion Concerts and the Christmas Oratorio draw thousands of visitors each year. The present leader of the choir is, Daniel Hyde, the church’s 36th cantor. https://www.saintthomaschurch.org/music/choir

During a recent visit, I was able to enjoy a Friday motet with the St. Thomas Boys Choir. The church was packed, and we were not disappointed. Music and setting succeeded in linking us emotionally to a long-forgotten time period.

Statue of Johann Sebastian Bach in front of the St. Thomas Church in Leipzig Photo © J. Elke Ertle

Statue of Johann Sebastian Bach in front of the St. Thomas Church in Leipzig
Photo © J. Elke Ertle

The Bach Organ

The organ from Bach’s days no longer exists. In 2000, for the 250th anniversary of Bach’s death, St. Thomas acquired a new organ. This new instrument, with its 61 registers and 4 manuals with pedal, looks and sounds similar to an organ of the 18th century.

Historic events at St. Thomas

The Lutheran St. Thomas Church has a long and eventful history. Not only has the St. Thomas Boys Choir sung here for the last 800 years. Many other important events took place in this church as well: In 1409, the University of Leipzig was founded in the monastery. In 1539, Martin Luther preached at St. Thomas, introducing the Reformation to Leipzig’s citizens. From 1723 until his death, Johann Sebastian Bach was Cantor of the Thomas school. In 1789 Wolfgang Amadeus Mozart played the organ here. Mendelssohn performed at St. Thomas, and in 1813 Richard Wagner was baptized here. Since 1950 the St. Thomas Church is the location of Johann Sebastian Bach’s remains. Originally buried in an unmarked grave outside the Johanniskirche in Leipzig, Bach was moved to his final resting place at the foot of the church’s altar.

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.