Posts Tagged ‘Sinterklaas’

Will the Real Santa Please Stand up?

Monday, December 9th, 2019

 

For a long time, I was under the impression that Coca-Cola created today’s Santa Claus image. That’s only partly true. In reality, it took many people and many steps to create the current-day portly, jolly man in the red suit and white beard who lives at the North Pole and makes toys for children. Over time, Santa was depicted as everything from a tall gaunt man to a spooky-looking elf. He has donned a bishop’s robe and a Norse huntsman’s animal skin. His name may be a phonetic derivation of the Dutch Sinterklaas.

It took many people to create the image of Santa Claus, the portly, jolly man in the red suit and white beard who lives at the North Pole. www.walled-in-berlin.com

It took many people to create the image of Santa Claus, the portly, jolly man in the red suit and white beard who lives at the North Pole. www.walled-in-berlin.com

Washington Irving Invents the Santa Claus image

In 1812, Irving published a satirical history of New York under the pseudonym Diedrich Knickerbocker. In the book, Santa rides over the tops of trees in a horse-drawn wagon and is described as a “jolly Dutchman” who smokes a clay pipe.

Clement Clarke Moore adds the reindeer-drawn sleigh

Ten years later, Moore published the poem “A Visit from St. Nicholas,” which is now known as “The Night Before Christmas.” In it, he mentions a sleigh drawn by eight reindeer, named Dasher, Dancer, Prancer, Vixen, Comet, Cupid, Donner and Blitzen.

Thomas Nast makes Santa an elf-like figure

When Civil War political cartoonist and caricaturist Thomas Nast drew Santa Claus for Harper’s Weekly in 1862, Santa was a small elf-like figure who supported the Union. Nast continued to draw him for 30 years, eventually changing the color of his coat from tan to red and portraying a kinder-looking old fellow.

Coca-Cola uses Santa Claus image in its marketing

The Coca-Cola Company began its Christmas advertising in the 1920s with shopping-related ads in magazines like The Saturday Evening Post. The first ads used a strict-looking Santa, similar to Thomas Nast’s creations. In 1930, the artist Fred Mizen painted a department-store Santa in a crowd drinking a bottle of Coke. The painting was used in print ads that Christmas season and appeared in The Saturday Evening Post in December 1930.

Haddon Sundblom creates modern Santa Claus image

In 1931, Sundblom created a series of Santa Claus ads for Coca-Cola. Initially, the image was close to Nast’s. Over time, magazine and billboard ads helped to standardize Santa’s grandfatherly features. From 1931 to 1964, Coca-Cola ads showed him delivering toys, reading letters while enjoying a Coke and visiting with the children who waited up to greet him.

Ward’s makes Rudolph Santa’s lead Reindeer

In 1939, Montgomery Ward’s introduced Rudolph the Red-Nosed Reindeer in its ad campaign. The song with the same name became a worldwide hit. It suggested that Santa came down from the North Pole to deliver gifts for the children. The reindeer pulled his heavy sleigh with Santa at the reigns and Rudolph in the lead.

And that’s the way it was. Merry Christmas to you all!

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.

 

 

 

Dutch Treat at the Dutch Quarter

Monday, December 19th, 2016

 

The Dutch Quarter (Hollaendisches Viertel) is a neighborhood in the city of Potsdam, about 15 miles southwest of Berlin. Its 134 three-story red brick houses with Dutch style gables were constructed between 1733 and 1740. Originally, all of the buildings had front yards, but the last garden gave way in 1928. Today, the Dutch Quarter in Potsdam is Europe’s greatest collection of Dutch-style houses outside of the Netherlands. Mittlestrasse no. 8, the Johann-Boumann-Haus, is open to the public and details the history of the Dutch Quarter.

 

The Dutch Quarter (Hollaendisches Viertel) in Potsdam near Berlin, photo © J. Elke Ertle, 2013. www. walled-in-berlin.com

The Dutch Quarter (Hollaendisches Viertel) in Potsdam near Berlin, photo © J. Elke Ertle, 2013. www. walled-in-berlin.com

History of the Dutch Quarter

Construction of the Dutch Quarter began during the reign of Friedrich Wilhelm I of Prussia, the “Soldier King.” To expand and upgrade the garrison town of Potsdam, Friedrich Wilhelm needed a large number of skilled craftsmen. Partial to the skillfulness of Dutch tradesman, he hoped to entice Dutch immigrants to Potsdam by offering them a home, freedom of conscience to follow their own beliefs in matters of religion and morality and the promise of plenty of work.

Eagerly, Friedrich Wilhelm asked the Dutch designer/builder, Jan Bouman, to construct four blocks of red brick houses, reminiscent of the Netherlands. Unfortunately, the Dutch tradesmen did not arrive in the anticipated numbers so that many soldiers and their families, French and Prussian artists and travelling salesmen moved into the settlement instead. At some point, one third of the inhabitants were French.

Until 1878, the second battalion of the Prussian first Foot Guard Regiment was stationed in the Dutch Quarter. In 1906, the Hauptmann von Koepenick http://www.walled-in-berlin.com/j-elke-ertle/the-captain-from-koepenick-ruse/ purchased his uniform in Mittelstrasse no. 3. from second-hand dealer Bertold Remlinter.

The Dutch Quarter in the 20th Century

The Dutch Quarter miraculously escaped major damage during World War II. Following the Second World War, the settlement became part of Soviet Occupation Zone. It was left to decay until the city council voted in the 1970s to begin restoration. Following German reunification in 1990, and with the help of the Dutch Monarchy, property owners, artists, conservationists and private investors, restoration took a major step forward and is completed by now.

The Dutch Quarter Today

Today, the Dutch Quarter’s picturesque mix of residential, small shops, galleries, artisan workshops, small backyard taverns, antique dealers, tempting restaurants and cozy cafés give it a unique charm that is popular with locals and tourists alike. The opportunity to Dutch Treat at the Dutch Quarter presents itself around every corner. Three times during the year, the Dutch Quarter celebrates: There is the tulip festival in April, the pottery market in September and the Dutch Christmas Market, called Sinterklaas.

 

The Dutch Quarter with its cozy taverns, small restaurants and cafes, photo © J. Elke Ertle, 2013. www.walled-in-berlin.com

The Dutch Quarter with its cozy taverns, small restaurants and cafes, photo © J. Elke Ertle, 2013. www.walled-in-berlin.com

 

Locals and tourists enjoy the charm of the Dutch Quarter on a sunny afternoon, photo © J. Elke Ertle, 2013. www.walled-in-berlin.com

Locals and tourists enjoy the charm of the Dutch Quarter on a sunny afternoon, photo © J. Elke Ertle, 2013. www.walled-in-berlin.com

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic or current events, people, places or food.

Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.