None who have always been free can understand the terrible fascinating power of the hope of freedom to those who are not free.
— Pearl S. Buck
We could learn a lot from crayons: Some are sharp, some are dull, some are pretty, some are colorful. But they all fit very nicely into the same box.
— Anonymous
For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: Historical or current events, people, places or food.
Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall, and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.
The Bremer Stadtmusikanten (Town Musicians of Bremen) might well be the city’s best-known logo. The four animal “musicians” standing on each other’s backs are based on an old folktale recorded by the Brothers Grimm. http://www.walled-in-berlin.com/j-elke-ertle/brothers-grimm-fairy-tales-and-more/. A 6.5-foot bronze statue on the west side of Bremen’s city hall, right next to the Ratskeller (Town Hall Cellar), depicts the Bremer Stadtmusikanten: A donkey forms the base of the pyramid. A dog stands on the donkey’s back. A cat towers on top of a dog and a rooster perches on top of a cat.
Statue of the Bremer Stadtmusikanten (Town musicians of Bremen) in front of Bremen’s city hall. Photo © J. Elke Ertle, 2017. www.walled-in-berlin.com
Rubbing the front hoofs of the donkey is said to make a wish come true. Apparently, many visitors gave it a try because the donkey’s hoofs gleam in the sunlight.
Once upon a time, four domestic animals – a donkey, a dog, a cat and a rooster – reached their sunset years. In the mind of their masters, each had outlived his usefulness. The donkey was too old to carry the sacks of flour to the mill; the dog lacked the stamina to hunt; the cat couldn’t catch mice anymore and the rooster was slated for the soup pot. Each of the creatures had served its master faithfully for many years and was now being treated poorly because it got old. Dreaming of a fulfilling life, each leaves his home for a life, independent of his master. By a twist of fate the four animals happen upon each other on their way to freedom and agree to walk to Bremen together to become town musicians.
On their way to their new life in the big city, they have to rest for the night. The four prospective town musicians spot a lighted cottage and hope for a place to sleep. The cottage belongs to a band of robbers who are just about to enjoy a table full of ill-gotten delicacies. Standing on each other’s backs and hoping to secure some food for their efforts, the Bremer Stadtmusikanten make music to the best of their abilities. The donkey brays, the dog barks, the cat meows, and the rooster crows. Terrified by the strange sounds, the robbers abandon the cottage. The animals settle in, enjoy a good meal and live happily ever after in the cottage.
Interestingly enough, in Grimm’s folktale the four Bremer Stadtmusikanten never actually arrive in Bremen. They stay in the cottage in the woods. But the story is so intimately connected with the City of Bremen that its citizens have adopted it.
The Bremer Tourist Bureau commissioned German sculptor Gerhard Marcks to create a sculpture of the Bremer Stadtmusikanten. In 1951, Marcks gave his creation to the City of Bremen on loan. Only two years later, the city purchased the sculpture for 20,000 Deutsche Mark.
For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.
Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.
The Soviet War Memorial (Ehrenmal) in Treptow Park is one of three Soviet war memorials erected in Berlin following World War II. They honor the roughly 80,000 soldiers of the Red Army who fell in the Battle of Berlin, http://www.walled-in-berlin.com/j-elke-ertle/the-battle-of-berlin-ended-wwii/ the final major offensive in the European theatre and one of the largest battles of World War II.
In the last days of the war, between 6 April and 2 May 1945, the Red Army battled bitterly the remnants of the German Army, the old men of the Volkssturm (National Militia) and the Hitler Youth. During that battle, more than 70,000 people were killed. The dead included more than 22,000 Soviet soldiers, 20,000 German soldiers and 30,000 civilians. To commemorate their victory, the Soviets built three lavish war monuments in Berlin: One is located in the park of Berlin-Treptow, the other two are located in Berlin-Pankow and in Berlin-Tiergarten. All three serve not only as war memorials but also as war cemeteries.
The Soviet War Memorial in Treptow Park was built between 1946 and 1949 on the site of a previous sports field. Some 5,000 soldiers of the Red Army found a final resting place in this enormous park.
After entering the War Memorial through a stone arch, the first monument the visitor comes upon is the statue of Mother Russia, a woman weeping for the loss of her sons. From there, a wide tree-lined path leads to two giant Soviet flags made of red granite. The granite and stones came from Hitler’s demolished New Reich Chancellery, designed by Albert Speer, http://www.walled-in-berlin.com/j-elke-ertle/albert-speer-designed-for-ruin-value/ and http://www.walled-in-berlin.com/j-elke-ertle/germania-hitlers-utopian-quest/. The New Reich Chancellery was badly damaged during the Battle of Berlin and completely dismantled by the Soviet occupation forces after World War II had ended. Statues of kneeling soldiers flank the granite flags.
Mother Russia statue, Soviet War Memorial in Treptow Park, Berlin. Photo © J. Elke Ertle, 2017. www.walled-in-berlin.com
Sixteen stone sarcophagi line the sides of the paths of the Soviet War Memorial. The paths lead to a giant statue in the center of a grassy rotunda. Each sarcophagus represents one of the Soviet Republics in existence at that time. The sarcophagi are decorated with military reliefs and engraved with some of Stalin’s quotes. The imposing statue in the center of the rotunda depicts a Soviet soldier holding a German child in his arm while crushing a swastika at his feet with a sword. According to Marshal Vasily Chuikov, Army Commander during the Battle of Stalingrad, the 40-foot statue commemorates the selfless act of Sergeant of Guards Nikolai Masalov.
Statue of Soviet soldier holding a German child in his arm while crushing a swastika at his feet with a sword. Soviet War Memorial in Treptow Park, Berlin. Photo © J. Elke Ertle, 2017. www.walled-in-berlin.com
Masalov is said to have risked his life under heavy German fire to save a three-year-old German girl whose mother was killed. Although many Berliners voice doubt regarding the truthfulness of the story, it is nice to think that some people preserve their humanity, even when at war. What is definitely true is that Svetlana Kotikova served as the model for the German child. She was the daughter of Alexander Kotikov, the commander of Berlin’s Soviet sector who served in Berlin from 1946 on. During the Berlin Airlift http://www.walled-in-berlin.com/j-elke-ertle/berlin-airlift-unprecedented-feat/, Kotikov represented the Soviets on the Allied Kommandatura. Commandant Frank L. Howley represented the United States. When Howley asked to be excused shortly before midnight on 16 June 1948 because he had a heavy scheduled the following day and left his Deputy in charge, Kotikov stomped out of the meeting and refused to participate in future meetings. The quadripartite governance of Berlin, in effect, came to an end because of his actions. http://www.walled-in-berlin.com/j-elke-ertle/allied-kommandatura-governs-berlin/
Initially, the Russian government paid for the upkeep of the Soviet War Memorial. But as part of the Two Plus Four Treaty of 1990 http://www.walled-in-berlin.com/j-elke-ertle/two-plus-four-treaty/ and the German-Russian agreement on the upkeep of war graves in 1992, Germany agreed to assume the responsibility for maintenance and repair for all war memorials and military graves in the country.
For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.
Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.
If you think education is expensive, try ignorance.
— bumper sticker
Kindertransport (children’s transport) is the German name for a rescue mission that began nine months prior to the outbreak of World War II. Through this effort about 10,000 mainly Jewish children were able to escape from Nazi Germany, Austria, Czechoslovakia, Poland, Danzig and the Polish city of Zvaszyn. Many of the children were the only members of their families who survived the Holocaust.
After the terrible events of Kristallnacht on 9 November 1938, the British Parliament granted permission for Kindertransports to enter England. The first transports of 196 children left from the Friedrichstrasse rail station. Over the next ten months, ten thousand children travelled in this way through various railway stations in Berlin, Munich, Cologne, Leipzig, Hamburg, Danzig, Koenigsberg, Vienna and Prague, leaving their families behind.
The first Kindertransport train to England left Berlin’s Friedrichstrasse railway station on 30 November 1938. Most of the children on the train were from a Berlin Jewish orphanage that had been burned by the Nazis during Kristallnacht. Others were from Hamburg. The children arrived in Harwich two days later. They were allowed to take only one small suitcase, no valuables, and no more than ten marks in cash. Some children travelled with nothing more than a numbered tag on the front of their clothing and a tag with their name on the back.
The children arriving in England in a photo on an info board at Friedrichstrasse rail station. J. Elke Ertle, 2017, www.walled-in-berlin.com
The Kindertransports were organized by Jewish communities, Quakers and non-Jewish groups. The Gestapo supervised the children up to the Dutch-German border. Then Dutch volunteers helped them board ferries from Hoek van Holland, Rotterdam, to the British port of Harwich. Once in England, the children were housed in summer camps or taken in by foster families. The Committee for Refugees coordinated the arrangements. Private donations paid for them. The integration of the children into British society was a mixed success. Some children were successfully integrated. Others were exploited as servants or neglected.
While most of the Kindertransports headed to Great Britain, some went to France, Belgium and the Netherlands. The transports continued until Germany invaded Poland on 1 September 1939 and World War II broke out.
Many individuals and organizations in Great Britain and the Netherlands were involved in the Kindertransport rescue mission. In Germany, a network of coordinators worked around the clock to prioritize children at risk. These included children with a parent in a concentration camp, teens threatened with deportation, children in Jewish orphanages and children whose parents were no longer able to sustain them.
Commemorating the Kindertransport, a close to life-size bronze sculpture Trains to Life – Trains to Death is located directly adjacent to Berlin’s Friedrichstrasse station. It depicts four boys and three girls. Five of the children look in one direction, two in the opposite way, reflecting the contrasting fates of the children. While many were deported to concentration camps, some were saved by the Kindertransport.
“Trains to Life – Trains to Death” Memorial by Frank Meisler at Berlin’s Friedrichstrasse railway station. Photo © J. Elke Ertle, 2017. www.walled-in-berlin.com
Israeli Architect and sculptor Frank Meisler created the “Trains to Life – Trains to Death” sculpture in 2008 and donated it to the city of Berlin. He himself had travelled with a 1939 children’s transport from Berlin’s Friedrichstrasse to England. He created three other sculptures along the children’s route to safety: The “Kindertransport – the departure” memorial in Danzig, Poland, the “Kindertransport – the arrival” sculpture at Liverpool Street Station in London and the “Channel of Life” memorial at Hoek van Holland, Rotterdam.
For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic and current events, people, places and food.
Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.
If you can, always be cheerful.
If you can, resist complaining.
If you can, accept that your loved ones cannot always give you their time.
If you can, take criticism and blame without resentment.
If you can, conquer tension without medical help.
If you can, relax without alcohol.
If you can, sleep without the aid of drugs.
If you can do all of the above, then you are probably the family dog. But just in case you are not, make the family dog your role model. Inner peace and happiness will be yours. Guaranteed.
— Anonymous
For a sneak peek at the first 20+ pages of my memoir, “Walled-In: A West Berlin Girl’s Journey to Freedom,” click “Download a free excerpt” on the home page of http://www.walled-in-berlin.com
The Schwerbelastungskoerper in Berlin (heavy load-bearing body) is a colossal concrete cylinder from the Nazi era. It is the only remaining tangible relic of Adolf Hitler’s vision of transforming Berlin into Germania, the capital of the world. http://www.walled-in-berlin.com/j-elke-ertle/germania-hitlers-utopian-quest/ Since 2002, Berlin’s borough of Tempelhof owns this one-of-a-kind concrete tube. Open to the public, the Schwerbelastungskoerper is located on General-Pape-Strasse, not far from Tempelhof airport.
In the summer of 1936, Adolf Hitler, Chancellor of Germany from 1933 to 1945, handed Albert Speer, his chief architect, http://www.walled-in-berlin.com/j-elke-ertle/albert-speer-designed-for-ruin-value/ two postcard-sized sketches that were about 10 years old. The rough drafts outlined two monumental buildings that were to define Germania: the Great Arch and the Great Hall. The triumphal Great Arch was to honor the soldiers killed in World War I and to be three times as large as the Arc de Triomphe in Paris. The Great Hall, a gigantic domed assembly hall, was to be Berlin’s most impressive building. It was to be so large that it would eclipse every structure in Berlin.
In March 1928, Albert Speer created Project no. 15: Soils tests to determine whether Berlin’s sandy and swampy soil could support such large monuments. A test cube with 33-foot sides was to be constructed. In the end, it turned out to be a cylinder, close to 100 feet high with a 33-foot diameter underground and a 69-foot diameter above the surface. Between April and November 1941, almost 14,000 U.S. tons of concrete were poured at a cost of 400,000 Reichsmark.
Schwerbelastungskoerper in Berlin-Tempelhof, relic of the Nazi era. Photo © J. Elke Ertle, 2017. www.walled-in-berlin.com
But because of the start of World War II, the Schwerbelastungskoerper remained unfinished. When the heavy load bearing capacity of the soil underneath was finally measured in 1948, the colossus had sunk 19.4 cm (7 inches) in a period of two and a half years. The maximum acceptable settling without additional stabilization of the ground prior to construction was 2 cm. In other words, without additional work, the Great Arch and the Great Hall could not have been built.
After the Second World War, plans to blow up the Schwerbelastungskoerper were discarded because of the dangers explosives might have presented to nearby train tracks and apartment buildings. For a while, the German Society for Soil Mechanics used the cylinder to perform various tests on site. But after 1983 the structure was no longer needed and the Schwerbelastungskoerper was abandoned. For a number of years, the cylinder was neglected, and the area around it became overgrown. Now it is open to visitors. From an adjacent observation platform, the visitor can even overlook the area that Hitler once envisioned as the heart of Germania.
For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on my home page and feel free to follow my blog about anything German: historic or current events, people, places or food.
Walled-In is my story of growing up in Berlin during the Cold War. Juxtaposing the events that engulfed Berlin during the Berlin Blockade, the Berlin Airlift, the Berlin Wall and Kennedy’s Berlin visit with the struggle against my equally insurmountable parental walls, Walled-In is about freedom vs. conformity, conflict vs. harmony, domination vs. submission, loyalty vs. betrayal.