Posts Tagged ‘Friedrichstadt-Palast’

Claire Waldoff – Quintessential Ur-Berliner

Monday, November 13th, 2017

 

Often referred to as an Ur-Berliner (the epitome of a Berliner), Claire Waldoff (1884-1957) was one of Berlin’s most popular cabaret singers and entertainers during the 1910s and 1920s. She sang in the straight-down-to-the-point Berlinisch – the Berlin dialect – known to combine heart with unabashed bluntness. http://www.walled-in-berlin.com/j-elke-ertle/berlinisch-dialect-of-the-berliner In reality, Claire Waldoff wasn’t from Berlin at all. She arrived in the city when she was in her early twenties and took to Berlin like a fly to flypaper. You might say, she became a Berliner to the core.

Claire Waldoff’s Rise and Fall

Born as Clara Wortmann in Gelsenkirchen, a town in the northern part of Germany’s industrial area, Waldoff was the eleventh child in a family of 16. She wanted to become a physician, but the family didn’t have the money to pay for her studies. As an alternative, she she chose singing and acting. In 1906, Claire Waldoff visited Berlin and was immediately captivated by the city’s cosmopoletan style and temperament. Initially, she played in some minor roles until she landed a singing engagement at a nightclub, called Roland von Berlin. That was in 1908. In a dress bought on credit, flaming red hair, gravelly voice, one eyebrow mockingly raised, cursing and smoking cigarettes on stage, she became a star overnight. Her friends included many prominent artists, such as Marlene Dietrich, with whom she performed on stage.

Audiences loved Claire Waldoff. She usually wore a simple blouse along with a tie and slacks. One of her famous songs was Ach Jott, Wat Sind Die Maenner Dumm (Oh, God, How Stupid Men Are). For a first recording on Gramophone, click https://www.youtube.com/watch?v=N3keVMxe71U

After coming to power in 1933, the Nazis quickly banned Claire Waldoff’s appearances because many of her composers and lyricists were Jewish. Besides, they considered her songs too suggestive. It was also no secret that Waldoff lived and operated a gay-lesbian-salon with her long-time lesbian partner, Olga “Olly” von Roeder. Following World War II, Claire Waldoff lost all of her savings in the West German monetary reform of 1948 and was forced to live on a meager pension, provided by the City of Berlin.

Claire Waldoff Remembered

A monument, created by Reinhard Jacob, and located in front of the Friedrichstadt-Palast immortalizes Berlin’s sassy cabaret singer. http://www.walled-in-berlin.com/j-elke-ertle/friedrichstadt-palast-berlins-top-revue-theater/

Claire Waldoff monument, located in front of the Friedrichstadt-Palast, Berlin. Photo © J. Elke Ertle, 2017. www.walled-in-berlin.com

Claire Waldoff monument, located in front of the Friedrichstadt-Palast, Berlin. Photo © J. Elke Ertle, 2017. www.walled-in-berlin.com

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on the home page of http://www.walled-in-berlin.com Walled-In is my story of growing up in Berlin during the Cold War.

 

Friedrichstadt-Palast – Berlin’s Top Revue Theater

Monday, November 6th, 2017

 

With 700,000 visitors annually and a seating capacity of 1,895, the Friedrichstadt-Palast is by far the most popular theater in Berlin and the largest and most modern show place in Europe. Located in Berlin’s central district of Mitte, it is also the last large historic landmark structure dating back to former East Germany. Today, major galas and events take place here, whiche include the Berlinale and the German Film Awards. Celebrities, such as Mikhail Gorbatchev, George Bush Sr., Helmut Kohl and Angela Merkel, have attended events in its walls. Marlene Dietrich, Udo Juergens and Liza Minnelli have performed on its stage.

The Checkered Past of the Friedrichstadt-Palast

The theater’s history goes back to the 19th century. In 1867, it opened as a market hall near Schiffbauerdamm, approximately 650 feet from its current site. For economic reasons, the venue closed again seven months later. Over the next fifty years, the building served as a food depot, a replenishment center for the Prussian Army, a circus arena and a nightclub. In 1919, following World War I, it re-opened as Grosses Schauspielhaus under the direction of theater genius Max Reinhardt. Revues by Erik Charell set the pace for the Roaring Twenties.  During the Nazi era, the theater was renamed Theater des Volkes (Theater of the People). In 1945, it was seriously damaged during repeated air attacks and eventually abandoned and taken over by the City of Berlin. In 1949, the city renamed the theater Friedrichstadtpalast (no hyphen). Due to structural problems, the building had to be closed in 1980 and demolished the following year.

Today’s Friedrichstadt-Palast

The current Friedrichstadt-Palast was rebuilt at Friedrichstrasse 107 and opened in 1984, five years before the fall of the Berlin Wall. http://www.walled-in-berlin.com/j-elke-ertle/the-day-the-berlin-wall-fell/ Since then, it has not only retained but broadened its reputation as a revue theatre that offers some of the most spectacular shows and technical marvels in reunified Germany.

Vestibule of the Friedrichstadt-Palast. Photo © J. Elke Ertle, 2017. walled-in-berlin.com

Vestibule of the Friedrichstadt-Palast. Photo © J. Elke Ertle, 2017. walled-in-berlin.com

Venues at the Friedrichstadt-Palast

The Friedrichstadt-Palast offers diverse programming from children’s shows and guest performances to festival galas. It specializes in complex shows that incorporate cutting-edge lighting and stage technology, over a hundred performers, and stylized acrobatic numbers. A ballet company, a show-band and a children and youth ensemble are in permanent residence. The ballet company includes 60 dancers from 26 countries worldwide. Its show band includes 16 musicians. And the children and youth ensemble consists of 250 Berlin children ranging from ages 6 to 16.

Current Show at the Friedrichstadt-Palast – THE ONE

The shows at the Friedrichstadt-Palast tend to be suitable for international audiences. Currently playing is THE ONE, a Las Vegas-style revue featuring song, dance, special effects and acrobatics. The show does not have an explicit narrative. Instead, it leads the viewer on a dreamlike journey through time in search of the person that means everything to us – THE ONE.

THE ONE grand show playing at the Friedrichstadt-Palast. Photo © J. Elke Ertle, 2017. walled-in-berlin.com

THE ONE grand show currently playing at the Friedrichstadt-Palast. Photo © J. Elke Ertle, 2017. walled-in-berlin.com

 

For a sneak peek at the first 20+ pages of my memoir, Walled-In: A West Berlin Girl’s Journey to Freedom, click “Download a free excerpt” on the home page of http://www.walled-in-berlin.com Walled-In is my story of growing up in Berlin during the Cold War.